Clams casino instrumentals 2, contains tracks

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Among the feast of riches he left for our consumption 'Grabbin' Grain' is wonderful, his molestation of 'In the Air Tonight' is a treat there's a version of Teddy Pendergrass' 'Love T. And if 'swag' has become a magic word and a kind of virus, then watch the clouds, too, which are about to take all kinds of shapes. This is the huge sound William Blake described in his visionary work The Marriage of Heaven and Hell, the rumble that comes as "hungry clouds swag on the deep".

Just like Clams casino instrumentals 2 Screw, Clams Casino is drugging commercial music and corrupting its soul, its phantom essence. It sounds like the poetry of John Ashbery read by a gang of weird children I would like, incidentally, to fully encourage an album in this vein, produced by David Lynch or Prince.

Now, this is the weird thing: Another presence is ringing in my dreaming ears and lurking behind all this material about clouds and 'cloud rap'. A luxurious agony, tells of haunted nights and miserable mornings, shadowed by grief, heartbreak and loss.

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O is the effect of any opiate a blank and gorgeous sense of heavinessand it's the mood of Clams Casino's mixtapes, and the state they put you in. But another kind has to exist because the soul is, as any sinister Southern preacher will tell you, a troubled and wicked thing, full of sound and fury, led astray by demonic desires.

Purple is the DJ Screw colour. If you enjoy The Quietus, please consider supporting what we do with a one-off or regular donation. You're incapacitated, you don't know what's hit you.

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Instrumentals 2 makes me want to do it again. Or does 'soul' conjure experiences, personal or political?

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That this isn't otherworldly, underground music but the sound of money-hungry hip hop keeping it un real is cause for manic celebration. Now, eleven years later, this strange and wonderful music is the perfect sound for hip-hop hooked on serious sensory derangement. Somewhere the Devil is stroking Clams Casino's soul.

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And listen to this, from David Foster Wallace's enormous novel of addiction and altered states Infinite Jest, where a drug addict lies in hospital, drifting towards his death. These are things we call 'soul music'. I remember being hypnotised by the kaleidoscopic coda to 'Only Shallow' during a night of devilish activity and feeding my head into a speaker.

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Clams Casino's Instrumentals 2 is an astonishing combination: But there are still voices, buried alive in thick, delicious noise or slowed down to a hallucinatory growl: Brian Eno called My Bloody Valentine "the vaguest music ever to be a hit" and this is what's so exciting about Clams Casino's music, too, its delicious vagueness that instantly conjures and induces a strange state, a 'sort of sleep' inhabited by slow motion ghosts.

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The lives of the great soul men are riots of angst, addiction and sexual turmoil think of James Brown, Marvin Gaye and Bobby Womack. They come straight from the work of DJ Screw who, as theorist and DJ Jace Clayton put it, "dislocates body from voice" making "baritone rappers sound demonic But a special thrill is removed, too, that comes from the glorious juxtaposition of these eerie, smoky soundscapes with those voices howling about drugs, cash and rough sex.

Imagine the noise of the "ten million pounds of sludge" the Pixies sang about melting and exploding: Through a bizarre hip-hop ritual of transubstantiation, clams casino instrumentals 2 drank the opiate mixture of cough syrup and Sprite Screw regularly ingested and which stopped his heart has become representative of the man and his method of aural disorientation.

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It's a soul music hollowed, with its regal delirium turning dark. I say 'soul' and you think of what? I think I'm dreaming.

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That's the sound of Clams Casino, too: It has the same woozy rush to it that you hear on My Bloody Valentine's Loveless and shares its fascination with glittering textures and drifting voices.